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LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D’ÊTRE UN COLLECTIONNEUR

CHIC DESSIN ART FAIR

26.03 — 29.03.10

MERCI À | THANKS TO




















PAPIER+

PARIS















GRAPH ESSAIS Imprimerie

 
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Vue de l’exposition ‘La collection de Monsieur X, ou les avantages d’être un collectionneur’, Less is More Projects, Chic Dessin Art Fair 2010 Installation view, ‘The collection of the late Mister X, or the advantages of being a collector’, Less is More Projects, Chic Drawing Art Fair 2010

Ian Gonczarow, ‘Tanks !’, 2009, Sérigraphie 20 couleurs avec vernis sur papier Fabriano, 91x74 cm


Vue de l’exposition ‘La collection de Monsieur X, ou les avantages d’être un collectionneur’, Less is More Projects, Chic Dessin Art Fair 2010 Installation view, ‘The collection of the late Mister X, or the advantages of being a collector’, Less is More Projects, Chic Drawing Art Fair 2010

Vue de l’exposition ‘La collection de Monsieur X, ou les avantages d’être un collectionneur’, Less is More Projects, Chic Dessin Art Fair 2010 Installation view, ‘The collection of the late Mister X, or the advantages of being a collector’, Less is More Projects, Chic Drawing Art Fair 2010

Ceal Warnants, ‘Shotgun Clare’, 2009, sérigraphie 2 couleurs sur papier Somerset Antique, 72x56 cm


Rodolphe Auté, ‘Le paradoxe du plein pied’, 2006, quadrichromie offset sur papier CreatorStar pelliculage brillant, 80x63 cm


Paolo Giardi, ‘Parce Que Je Suis un Menteur’, 2010, aquarelle et encre sur papier aquarelle, 100x70 cm


Paolo Giardi, ‘Go To Hell, Faggot!’, 2010, aquarelle et huile sur papier aquarelle, 100x70 cm


Paolo Giardi, ‘How Do You Handle a Hungry Man?’, 2010, aquarelle, encre et huile sur papier aquarelle, 100x70 cm


WISH YOU WERE HERE

SLICK ART FAIR 2009

23.10 — 26.10.09

CURATED BY ALBERTO BRUSAMOLINO & PAOLO GIARDI

Phil Ashcroft, ‘Yeti Over Mount Fuji (Shooting Star)’, 2009, sérigraphie sur papier 270 g., 42x59,4 cm


Vue de l’exposition ‘La collection de Monsieur X, ou les avantages d’être un collectionneur’, Less is More Projects, Chic Dessin Art Fair 2010 Installation view, ‘The collection of the late Mister X, or the advantages of being a collector’, Less is More Projects, Chic Drawing Art Fair 2010

Iain Hector, ‘On Every Street in Every City’, 2009, sérigraphie deux couleurs sur papier 250 g., 70x50 cm


Vue de l’exposition ‘La collection de Monsieur X, ou les avantages d’être un collectionneur’, Less is More Projects, Chic Dessin Art Fair 2010 Installation view, ‘The collection of the late Mister X, or the advantages of being a collector’, Less is More Projects, Chic Drawing Art Fair 2010

Michel Boubon, ‘In Extremis’, 2010, crayon, encre, gouache et bitume sur papier, 16,5x21,5 cm


Alberto Brusamolino, Makura-e (images d’oreiller), ‘Japanese Garden #1’, 2010, estampe japonaise et page de magazine découpées sur photographie, 32x42 cm


Alberto Brusamolino, Makura-e (images d’oreiller), ‘Japanese Garden #2’, 2010, estampe japonaise et page de magazine découpées sur photographie, 32x42 cm

Alberto Brusamolino, Makura-e (images d’oreiller), ‘Japanese Garden #3’, 2010, estampe japonaise et page de magazine découpées sur photographie, 32x42 cm

Alicia Nauta, ‘I Said Yes (To Another Thing I Wanted To Say No)’, 2008, sérigraphie sur papier, 31x11,5 cm


Vue de l’exposition ‘La collection de Monsieur X, ou les avantages d’être un collectionneur’, Less is More Projects, Chic Dessin Art Fair 2010 Installation view, ‘The collection of the late Mister X, or the advantages of being a collector’, Less is More Projects, Chic Drawing Art Fair 2010

Alicia Nauta, ‘That’s Nice For You’, 2008, sérigraphie sur papier, 15x15 cm


Susana Lamberti, “La première zone”, gravure eau forte, # 8/20


Pol Bury, collage de papier imprimé, numéroté 1/1 et signé, 46x55 cm


Paolo Giardi, ‘Meanwhile in Paris’, 2010, encre sur papier aquarelle, 70x100 cm


*

Iain Hector, ‘Mrs Robinson, You’re Trying To Seduce Me, Aren’t You ?’, 2009, sérigraphie deux couleurs sur papier 250 g., 70x50 cm


Hervé Garcia, Série NO PLAN, 2008, papier découpé, 29,5x38,5 cm


Hervé Garcia, Série NO PLAN, 2008, papier découpé, 29,5x38,5 cm


LESS IS MORE PROJECTS